oil 9x12 inches Purchase info here. Temperatures are dropping, three days of rain are coming along with snow in our local mountains. Boy, does this scene look inviting!!! Here's what happens when painting figures in plein air: The chosen subject was two adults in chairs and their little girl standing with a BIG bow in her hair. I took a pic of the figures, because I knew thay'd move. The girl went down to the water of course. I drew the two chairs. The third adult arrived! Drew in the third chair. Took more pics. Drew the two women. They ALL got up and left for about an hour. Drew the man from my pic. Started painting the chairs, then figures from memory. They came back and put up the umbrella. Added the umbrella, changed the skin tones under the umbrella to tones in shade. Painted the umbrella, shadows under the chairs, sunlit sand and water. Whew! It was a lot of fun to paint such a fluid situation and I was really lucky that the subject kept getting better!
oil 9x12 inches Purchase info here. Painted on location, this is another piece I painted during the Jim McVicker workshop in June. The sun came out for us that afternoon, giving stark contrast between the lit background and trees in deep shadow.
oil 9x12 inches Purchase info here.
In June I took a plein air painting workshop taught by Jim McVicker. It was a wonderful experience, and this is my favorite of the four paintings I completed. The days were cloudy ("June Gloom", we call it) with the sun trying to burn through by afternoon. It's a difficult type of atmosphere to capture. With Jim's expert coaching, I think I got it. IN OTHER NEWS: I just hung 16 paintings in Claremont at INTEGRATIVE BODYWORK. 114 N. Indian Hill Blvd, Front Suite, Claremont, CA. Thank you to Suzannce Snijder van Wissenkerke for the opportunity. So if you're near Claremont, stop in and browse, or plan to stop in on CLAREMONT ARTWALK NIGHT, DECEMBER 7, 6-9pm.
Refreshments served. My work will hang through January.
oil 12x9 inches Purchase info here. A painting from May. Some of my favorite subjects are here; wine bottles and glass. The small white flowers are fun too. When I paint small flowers, I know it's futile (and not at all fun) to try and paint each petal. Instead, I squint way down to see each blossom as just a basic shape. I usually paint the greens first, leaving the blossom shapes unpainted. I then paint the shadow side of the blossoms the right shape, value and color. Last, I paint the light side of the blossoms the right shape, value and color. I also focus on varying the size, shape, and placement of each blossom. A random look gives flowers a natural appearance.